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THE CODE

The 3 Story Types

Here’s the truth most presentation coaches won’t say out loud: technical women are often excellent at logos (the data) and decent at ethos (the credentials). We chronically under-invest in pathos—the emotional and novel parts that actually make an idea travel.

Carmine Gallo’s Talk Like TED is basically a field manual for fixing that imbalance. After analyzing 500+ talks, he boiled the magic down to three forces: Emotional, Novel, and Memorable. Everything else is execution.

1. Emotional: Start with the thing that won’t leave you alone

TED speakers don’t “find a topic.” They start with the idea that already owns them. Gallo calls this “unleashing the master within.”

For women in tech this is gold. You already have deep expertise. The missing piece is usually permission to let the audience feel why the work matters to you.

Practical move: Write the one-sentence version of your talk that starts with “I can’t stand that…” or “It still floors me that…” Then build the rest of the talk as the path out of that feeling.

Storytelling is the delivery system. Gallo insists on three types of stories in almost every strong talk:

  • A personal story (your lived experience)

  • A story about someone else (a teammate, a user, a historical figure)

  • An organizational or brand story that illustrates the larger pattern

You don’t need all three every time. You need at least one that creates an emotional bridge. Data without a human face is just noise. Data attached to a face becomes a reason to care.

2. Novel: Give them something their brain hasn’t filed yet

The brain is a prediction machine. When you deliver exactly what it expects, it checks out. Novelty forces it to stay online.

This does not mean inventing something no one has ever thought of. It means:

  • Presenting a familiar problem with a surprising angle

  • Giving a statistic that reframes the scale

  • Showing a demo or prop that creates a “wait, what?” moment

Jill Bolte Taylor brought an actual human brain on stage. You don’t need a brain. You might need a single counter-intuitive number from your production data, or a 30-second story about the user who did the opposite of what your product assumed.

Novelty is also why the 18-minute rule exists. TED deliberately caps talks because cognitive overload kills retention. Eighteen minutes is long enough to plant an idea and short enough that people still have bandwidth left to remember it.

3. Memorable: Design the moment people will still quote next week

Jaw-dropping moments, humor, and multisensory language are the tools.

A jaw-dropping moment doesn’t have to be dramatic. It can be the quiet reveal of a result no one expected, or the honest admission of a failure that cost real money and real nights of sleep. Humor works even better when it’s self-deprecating and specific (“I once spent three weeks optimizing a query that was never called in production”).

Multisensory language is the underrated skill. Instead of “the system was slow,” try “it felt like the entire engineering team was waiting for a page that loaded like dial-up in 1998.” The brain stores pictures and sensations more reliably than abstract claims.

Finally: stay in your lane. Authenticity isn’t a vibe. It’s the decision to stop performing the version of a “good speaker” you think the room wants and instead speak from the place where your actual expertise and actual personality already live. The women who get invited back are rarely the ones who sound most like TED speakers. They’re the ones who sound most like themselves—on purpose.

You already have the technical depth. Talk Like TED simply gives you the delivery architecture so that depth actually lands.

THE RUN

🎬 Your 5-Day Action Plan (Because Bias for Action)

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Monday: Write the one-sentence “I can’t stand that / It still floors me that…” version of your next talk or internal presentation. Say it out loud three times. Notice what happens in your body.

Tuesday: Identify one personal story and one “someone else” story that could support that sentence. Keep each under 90 seconds when spoken.

Wednesday: Find or create one novel element—surprising stat, counter-intuitive insight, or tiny demo. Write the exact sentence that introduces it.

Thursday: Practice the full 12–15 minute version once while standing. Record the audio. Listen only for places where you sound like you’re reading versus talking to a smart friend.

Friday: Deliver a 4-minute version to one trusted person (or your phone camera). Ask them only one question: “What moment stuck with you?”

Bonus move: Schedule a 15-minute “passion check” on your calendar every Sunday for the next month. Re-read your “I can’t stand that” sentence and update it if the feeling has shifted. Passion drifts. Capture it while it’s hot.

THE WRAP

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🌞 Keep Shining,

Barkha

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